How is this possible? Day 11 already? Where has all the time gone? Today was the last day of touring on "Exploring Macedonia". Rather than describing every day in detail (you can check our itineraries on for that), every day we will pick one image we took that day, accompanied by some explanations and thoughts. On this occasion, to give an impression of the experience, we are providing a kind of travel diary on our blog, following precedents from Greece, Ireland and Turkey. Others date it between 330 and 320 BC and credit it to bronzesmiths of the royal court of Alexander the Great." Exploring Macedonia" is our first new itinerary in Greece since 2018. Based on the dialectal forms used in the inscription, some commentators think it was fabricated in Thessaly at the time of the revolt of the Aleuadae, around 350 BC. Barr-Sharrar thinks it was made around 370 BC in Athens.
The exact date and place of making are disputed. There is also a warrior wearing only one sandal, whose identity is disputed: Pentheus, Lycurgus of Thrace, or perhaps the "one-sandalled" Jason of Argonaut fame. On the belly, the frieze in low relief, 32.6 cm tall, is devoted to the divinities Ariadne and Dionysus, surrounded by revelling satyrs and maenads of the Bacchic thiasos, or ecstatic retinue. The top part of the krater is decorated with motifs both ornamental (gadroons, palm leaves, acanthus, garlands) and figurative: the top of the neck presents a frieze of animals and most of all, four statuettes ( two maenads, Dionysus and a sleeping satyre) are casually seated on the shoulders of the vase, in a pose foreshadowing that of the Barberini Faun. Such highlights include the silver garlands of vine and ivy around the krater, the silver and copper stripes on the vipers at the handles, and the silver ords of the eyes of the volute masks. The main alloy used gives it a golden colour, but at various points the decoration is worked with different metals as overlays or inlays of silver, copper, bronze and other base metals. The vase is composed of two leaves of metal which were hammered then joined, although the handles and the volutes (scrolls) were cast and attached.
When excavated, the Derveni krater contained 1968.31 g of burnt bones that belonged to a man aged 35–50 and to a younger woman. Kraters (mixing bowls) were vessels used for mixing undiluted wine with water and probably various spices as well, the drink then being ladled out to fellow banqueters at ritual or festive celebrations. The krater was discovered buried, as a funerary urn for a Thessalian aristocrat whose name is engraved on the vase: Astiouneios, son of Anaxagoras, from Larissa.
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